William Golding's Rites of Passage. A Case of Transtextuality

Authors

DOI:

https://doi.org/10.26754/ojs_misc/mj.199411753

Abstract

More or less consciously, all authors rewrite the work of their predecessors,  since it is impossible to escape the influence of previous writings. Golding's  Rites of Passage uses and abuses the conventions of earlier works very  overtly, flaunting its condition of postmodern literary artifact. This paper  shows how Rites of Passage makes use of all the five types of transtextual relationships that Genette defines in Palimpsestes —intertextuality,  paratextuality, metatextuality, hypertextuality and archtextuality— through  which this novel foregrounds its postmodernist flavour. Thus, while noting  the complex transtextuality of Rites of Passage, we also point out its  historiographic/metafictional character, since both features are closely  related.

Downloads

Download data is not yet available.

References

ABRAMS, M. H. et al., eds. 1986. The Norton Anthology of English Literature. Vol. II. New York: Norton.

BAKER, James R. 1982. "An Interview with William Golding." Twentieth Century Literature. William Golding Issue. 28: 130-170. DOI: https://doi.org/10.2307/441151

BARTHES, Roland. 1975. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang.

BOYD, S. J. 1988. The Novels of William Golding. Sussex: Harvester; New York: St. Martin's.

CAREY, John. 1986. "William Golding talks to John Carey." In William Golding: The Man and his Books. A Tribute on his 75th Birthday. Ed. John Carey. London: Faber. 171-89.

CROMPTON, Don. 1985. A View from the Spire: William Golding's Later Novels. Oxford: Blackwell.

DICK, Bernard F. 1987. William Golding. Revised edition. Boston: Twayne. DOI: https://doi.org/10.2307/40143413

ECO, Umberto. 1983. Postcript to The Name of the Rose. Trans. William Weaver. San Diego: Harcourt.

GENETTE, Gérard. 1982. Palimpsestes. Paris: Seuil.

JEFFERSON, Ann. 1990. "Autobiography as Intertext: Barthes, Sarraute, Robbe Grillet." In Intertextuality: Theories and practices. Ed. Michael Worton and Judith Still. Manchester: Manchester UP. 108-29.

GOLDING, William. 1966. The Hot Gates and Other Occasional Pieces. 1965. New York: Harcourt.

- - -. 1980. Rites of Passage. London: Faber. Abbreviated as RP.

HAFFENDEN, John. 1985. "William Golding." In Novelists in Interview. London: Methuen. 97-120. DOI: https://doi.org/10.4324/9780429321160-5

HUTCHEON, Linda. 1988. A Poetics of Postmodernism. History, Theory, Fiction. New York: Routledge.

KINKEAD-WEEKES, and Ian GREGOR. 1984. William Golding: A Critical Study. Revised edition. London: Faber.

POPE, Alexander. 1975. "Essay on Man." In Alexander Pope's Collected Poems. Ed. Bonamy Dobrée. London: Dent.

ROGERS, Pat, ed. 1978. The Eighteenth Century. London: Methuen.

TIGER, Virginia. 1982. "William Golding's 'Wooden World': Religious Rites in Rites of Passage. " Twentieth Century Literature. William Golding Issue. 28: 216-31. DOI: https://doi.org/10.2307/441155

WAUGH, Patricia. 1984. Metafiction. The Theory and Practice of Self-Conscious Fiction. London: Routledge. DOI: https://doi.org/10.2307/1771928

Webster's Third New International Dictionary of the English Language. 1986. Chicago: Merriam Webster.

Downloads

Published

1994-12-31

Issue

Section

ARTICLES: Literature, film and cultural studies

How to Cite

Nadal Blasco, M. (1994). William Golding’s Rites of Passage. A Case of Transtextuality. Miscelánea: A Journal of English and American Studies, 15, 405-420. https://doi.org/10.26754/ojs_misc/mj.199411753