The Use of Memory in the "Accident" Script.

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DOI:

https://doi.org/10.26754/ojs_misc/mj.198712385

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References

ALMANSI, Guido y Simon HENDERSON, 1983. Harold Pinter. London: Methuen.

BYRNE, Jack, 1982. "Accideni/Novel/Script/Film: Mosley/Pinter/Losey". The Review of Contemporary Fiction, 2 , n° 2, 132-42.

DELEYTO, Celestino, 1987. "Lenguaje cinematográfico, estilo y punto de vista en The Proust Screenplay". Miscelánea, n ° 7 , 37-52. DOI: https://doi.org/10.26754/ojs_misc/mj.198612399

KING, Noel, 1981. "Pinter's Screenplays: The Mcnace of the Past". Southern Review, 14, n° 1, 78-90.

LOSEY, Joseph, dir, 1962. The Servant. Warner.

LOSEY, Joseph, dir, 1967. Accident. London Independent.

MAUGHAM, Robin, 1948. The Servant. London: Falcon Press.

MOSLEY, Nicholas, 1965. London: Hodder & Stoughton.

PINTER, Harold, 1969. Landscape and Silence (contiene también Night). London: Methuen.

PINTER, Harold, 1971. Old Times. London: Methuen.

PINTER, Harold, 1971. The Servant, en Five Screenplays. London: Methuen.

PINTER, Harold, 1971. Accident, en Five Screenplays. London: Methuen.

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Published

1987-01-01

Issue

Vol. 8 (1987)

Section

ARTICLES: Literature, film and cultural studies

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Copyright (c) 1987 Celestino Deleyto Alcalá

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

Deleyto Alcalá, C. (1987). The Use of Memory in the "Accident" Script. Miscelánea: A Journal of English and American Studies, 8, 135-146. https://doi.org/10.26754/ojs_misc/mj.198712385