Cinematic Language: Style and Point of View in The Proust Screenplay
DOI:
https://doi.org/10.26754/ojs_misc/mj.198612399Abstract
.
Downloads
References
AUMONT, J . y otros, 1983 (esta ed., 1985). "El cine y su espectador", en Estética del cine. Trad. Nuria Vidal. Barcelona: Paidós, pp. 227-89.
DAVIDSON, David, 1982. "Pinter in No Man's Land: The Proust Screenplay", en Comparative Literature, 34, No 1, p. 170. DOI: https://doi.org/10.2307/1770761
METZ, Christian, 1968 (esta ed., 1972). "Acerca de la impresión de realidad en el cine", en Ensayos sobre la significación en el cine. Trad. Marie Thérèse Cevasco. Buenos Aires: Tiempo Contemporáneao, pp. 17-34.
PINTER, Harold, 1963. The Collection and The Lover. London: Methuen.
PINTER, Harold, 1969. Landscape and Silence (contiene también Night). London: Methuen.
PINTER, Harold, 1971. Accident, en Five Screenplays. London: Methuen.
PINTER, Harold, 1971. The Go-Between, en Five Screenplays. London: Methuen.
PINTER, Harold, 1971. Old Times. London: Methuen.
PINTER, Harold, 1976 (esta ed. 1981). No Man's Land, en Pinter, Plays: Four. London: Eyre Methuen, p. 153
PINTER, Harold, 1978. The Proust Screenplay. London: Eyre Methuen.
PROUST, Marcel, 1954. A la recherche du temps perche París: La Pléia de, Gallimard.
FILMES:
LOSEY, Joseph, 1967. Accident. London Independent.
LOSEY, Joseph. 1971. The Go-Between. MGM and EMI.
Downloads
Published
Issue
Section
License
Copyright (c) 1986 Celestino Deleyto Alcalá
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
