Vol. 62 (2020): Literature, Film and Cultural Studies

• Defying Absolutes and Essentialism in Derek Walcott’s Omeros: An Epic of Traces

  Mónica Fernández Jiménez

  29-47

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• Transgressing Geographical and Gender Borders: A Study of Alternative Manhoods in Yosemite’s Climbing History

  Laura Martínez-García

  49-68

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• "At Least I Have the Flowers of Myself": Revisionist Myth-Making in H.D.'s "Eurydice"

  Cristina Salcedo González

  69-89

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• Biblical Echoes and Communal Home in Jesmyn Ward's Salvage the Bones

  Vicent Cucarella-Ramon

  91-107

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• Post-Enlightened Poe: Analysing the Pathologies of Modernity in "The Purloined Letter" and "The Colloquy of Monos and Una"

  Sofía Martinicorena

  109-123

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• Elegies and Genealogies of Place: Spatial Belonging in the Italian/American Culture and Literature

  Eva Pelayo Sañudo

  125-146

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• Wuthering Heights and Kleist's Novellen: Rousseauian Nature, Spontaneous Love, Infancy and the Performative Subversion of the Law

  María Valero Redondo

  147-165

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• Breaking Consensual Silence through Storytelling: Stories of Conscience and Social Justice in Emer Martin's The Cruelty Men

  M. Teresa Caneda-Cabrera

  167-185

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Book Reviews

• The Literary Politics of Scottish Devolution: Voice, Class, Nation, by Scott Hames

  Paula Argüeso San Martin

  189-194

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• Memory Frictions in Contemporary Literature, edited by María Jesús Martínez-Alfaro and Silvia Pellicer-Ortín

  Julia Kuznetski

  195-200

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• Representing Wars from 1860 to the Present: Fields of Action, Fields of Vision, edited by Claire Bowen and Catherine Hoffmann

  Nieves de Mingo Izquierdo

  201-205

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• Women’s Voices and Genealogies in Literary Studies in English, edited by Lilla Maria Crisafulli and Gilberta Golinelli

  Luca Tosadori

  207-210

  • PDF