Landscape Design and Drawing in The Draughtsman's Contract: Peepholes to an Age

Authors

DOI:

https://doi.org/10.26754/ojs_misc/mj.199511503

Abstract

The basic plot in Peter Greenaway's The Draughtsman's Contract is no more and no less than an ingeniously planned murder and its dramatic consequences for a guest artist. However, the views of Mr. Herbert's house and property, which the draughtsman is commissioned to reproduce on paper, do not serve merely as a background setting for the story. Close attention to the mise-en-scene, to remarks made by characters about gardens, garden elements or garden produce and to the artist's work-technique reveal how much the insight into the times in The Draughtsman's Contract accords to the period, while it also provides interesting clues that help the viewer elucidate several, otherwise, obscure or baffling scenes.

Downloads

Download data is not yet available.

References

"The Art of Painting." 1974. Encyclopaedia Britannica. Chicago: Encyclopaedia Britannica. 13.869-886.

ASHLEY, M. 1982. The People of England. London: Weidenfeld and Nicolson. DOI: https://doi.org/10.1007/978-1-349-81244-8

BARUDIO, G. 1983. La época del absolutismo y la ilustración 1648-1779. Madrid: Siglo XXI.

BASCH, F. 1974. Relative Creatures. London: Allen Lane.

BENNASSAR, B. 1989. La Europa del Siglo XVII. Madrid: Anaya.

BETHELL, A. 1951. The Cultural Revolution of the Seventeenth Century. London: Dennis Dobson LTD.

BILLINGS, M. 1991. The English. London: BBC Books.

BORDWELL, D. and K. THOMPSON. 1990. Film Art: An Introduction. New York: McGraw-Hill.

BREBNER, J. B. 1943. The Making of Modern Britain. London: Allen and Unwin.

BRIGGS, A. 1985. A Social History of England. Harmondsworth: Penguin.

BURKE, J. 1981. History of England. London: Collins.

CLARK, S. G. 1970. Early Modern Europe. London: Oxford UP.

"Garden and landscape design." 1974. Encyclopaedia Britannica. Chicago: Encyclopaedia Britannica. 7.884-901.

GOMBRICH, E. H. 1988. The Story of Art. Oxford: Phaidon.

HALLIDAY, F. E. 1969. Cultural History of England. London: Thames and Hudson.

HARMAN, P. M. 1983. The Scientific Revolution. London: Methuen.

HERITAGE, A. 1988. Landscapes of France. London: Octopus.

HIBBERT, C. 1989. The English: A Social History, 1066-1945. London: Guild Publishing.

HIRSCHBERGER, J. 1990. Historia de la Filosofía. Barcelona: Herder.

HUISMAN, B. 1981. Descartes: Discours de la méthode. Paris: Nathan.

KENYON, J. P. 1985. Stuart England. Harmondsworth: Penguin.

LEVI, A. W. 1980. "History of Western Philosophy." Encyclopaedia Britannica 14. 247-274.

MAINSTONE, M., and R. MAINSTONE. 1981. The Seventeenth Century. Cambridge: Press Syndicate of the University of Cambridge.

OXFORD DICTIONARY. (Compact Edition). 1971. Oxford: Clarendon.

QUENNELL, M. 1933. A History of Everyday Things. Edinburgh: Morrison and Gibb.

TREVELYAN, G. M. 1967. A Shortened History of England. Harmondsworth: Pelican.

WEBSTER'S Third New International Dictionary of the English Language Unabridged. 1986. Chicago: Merian Webster / Encyclopaedia Britannica.

WILLEY, B. 1986. The Seventeenth-Century Background. London: Ark Paperbacks.

Downloads

Published

1993-12-31

Issue

Section

ARTICLES: Literature, film and cultural studies

How to Cite

Chantal Cornut-Gentille D'Arcy. (1993). Landscape Design and Drawing in The Draughtsman’s Contract: Peepholes to an Age. Miscelánea: A Journal of English and American Studies, 14, 1-26. https://doi.org/10.26754/ojs_misc/mj.199511503