“Persevere it like a man”: Relacionalidad, Respetabilidad y Masculinidad en Behold the Dreamers (2016)
DOI:
https://doi.org/10.26754/ojs_misc/mj.202611540Palabras clave:
masculinidad, relacionalidad, respetabilidad, novelas de migración, literatura africana, Imbolo Mbue, Camerún, Estados Unidos de AméricaResumen
Las novelas sobre la migración africana ofrecen perspectivas interesantes sobre el género, pero los enfoques críticos hacia estos textos literarios no siempre han adoptado la masculinidad como una disciplina académica digna de consideración para su análisis. Si bien es cierto que las historias sobre inmigración están recibiendo más atención actualmente, muchos estudios han pasado por alto el componente de género de lo masculino, obviando que la masculinidad es construida socialmente y representada de manera individual. Por este motivo, propongo una lectura de la novela Behold the Dreamers (2016), de la autora camerunesa Imbolo Mbue, que profundizará en la crisis de masculinidad vivida por el personaje de Jende Jonga. Para ello, usaré el término ‘masculinidades relacionales’ para examinar cómo su existencia como hombre depende de sus relaciones con los demás. Asimismo, incorporaré el concepto de ‘respetabilidad’, que han desarrollado los autores Dominic Pasura y Anastasia Christou (2018), para subrayar que su masculinidad se apoya en gran medida en su grado de éxito como inmigrante africano y figura paterna. Este artículo sostiene que la performance de la masculinidad de Jende Jonga depende tanto de su capacidad para ejercer control en su círculo íntimo como de sus esfuerzos por cultivar una imagen respetable en entornos sociales más amplios. Sin embargo, las presiones derivadas de la migración en un contexto neoliberal blanco le generan una profunda tensión emocional, y los obstáculos sistémicos con los que se encuentra terminan por socavar dichas aspiraciones. Este estudio ejemplifica cómo los enfoques interdisciplinares, que en este caso combinan análisis literario, teoría de género y crítica poscolonial, pueden enriquecer nuestra comprensión de la nueva ficción diaspórica africana al mismo tiempo que abren nuevas posibilidades para la investigación académica.
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Derechos de autor 2026 Iago Rodríguez-Diéguez

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
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