Oscuridad y desorden en su interior: The Abstainer de Ian McGuire como ficción criminal neo-victoriana
DOI:
https://doi.org/10.26754/ojs_misc/mj.202611437Palabras clave:
Ian McGuire, The Abstainer, novela policíaca, ficción neo-victoriana, éticaResumen
Como su obra precedente más famosa The North Water (2016), The Abstainer (2020), la novela más reciente hasta la fecha de Ian McGuire, se ambienta en la Inglaterra victoriana. La obra presenta a un asesino en serie, a un detective protagonista —marcado por sus propias imperfecciones— que persigue al villano, y al encuentro final entre ambos con tintes de thriller. No obstante, el género de la narración difiere —al centrarse en la persecución de un criminal por parte de un detective— y también lo hacen los perfiles psicológicos de las figuras del perseguidor y del culpable, la motivación que impulsa sus actos y el tono de la resolución de la historia. Además, la inclusión de dos adversarios centrales que, en cierta medida, comparten rasgos similares cuestiona la existencia de una frontera nítida entre el bien y el mal, lo correcto y lo incorrecto. Este artículo sostiene que, al subvertir los esquemas genéricos de la novela detectivesca victoriana, esta novela plantea interrogantes éticos determinantes en torno al abismo existente entre el yo y el otro, así como aborda cuestiones relevantes para la sensibilidad de los lectores contemporáneos. De esta manera, se puede concluir que The Abstainer constituye una aportación destacada al corpus de la ficción criminal neo-victoriana actual.
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Derechos de autor 2026 Petr Chalupský

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
