Vol. 52 (2015): Literature, Film and Cultural Studies

• Knowable Conspiracies: Ideology and Form in Jonathan Franzen’s The Twenty-Seventh City

  Jesús Blanco Hidalga

  13-30

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• Neither Chuckwagons, nor Saskatoons, and a Missing Marlboro Man: Postcolonialism, Regionalism and the Ineffable Canadian West

  Pedro Miguel Carmona-Rodríguez

  31-49

  • PDF

• On the Road to ‘Some' Place: Sofia Coppola’s Dissident Modernism Against a Postmodern Landscape

  Todd Kennedy

  51-67

  • PDF

• Between a Butterfly and a Cathedral: The Question of Art in Brideshead Revisited by Evelyn Waugh

  Slawomir Koziol

  69-87

  • PDF

• The Patriarch’s Balls: Class-Consciousness, Violence, and Dystopia in George Saunders’ Vision of Contemporary America

  Juliana Nalerio

  89-102

  • PDF

• Decalibrating the Language. J. H. Prynne’s Biting the Air

  Wit Pietrzak

  103-118

  • PDF

Book Reviews

• Toni Morrison and Literary Tradition

  Justine Tally

  121-125

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• Trauma and Romance in Contemporary British Literature

  John Style

  127-130

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• Early Visions and Representations of America: Álvar Núñez Cabeza de Vaca's 'Naufragios' and William Bradford's 'Of Plymouth Plantation'

  Sylvia L. Hilton

  131-135

  • PDF

• Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo

  Paula Martín Salván

  137-140

  • PDF

• a/b: Auto/Biography Studies. Vol. 27, number 1, Summer 2012

  Margarita Carretero González

  141-145

  • PDF

• Estimating Emerson: An Anthology of Criticism from Carlyle to Cavell

  María Colom

  147-150

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• Talking Dirty on Sex and the City: Romance, Intimacy, Friendship

  Manuela Ruiz Pardos

  141-145

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• Toni Morrison: Memory and Meaning

  Vicent Cucarella-Ramon

  155-158

  • PDF