Vol. 44 (2011): Literature, Film and Cultural Studies

• Reading the Helicon Collage: Hidden Stories in the Collected Fragments

  Elena Domínguez Romero

  13-31

  • pdf

• Transforming the Wilderness into God’d Creation: John James Audubon in a Canadian Space

  María Jesús Hernáez Lerena

  33-51

  • pdf

• “Big Empty Negroes” and “Gay, Exciting” Mexicans: Recontextualizing Fellaheen Identities in Jack Kerouac’S On The Road

  Eftychia Mikelli

  53-70

  • pdf

• Las metáforas provisionales de la postmodernidad: La obra de William Gass

  Belén Piqueras

  71-86

  • pdf (Español (España))

• Once Were Warriors, but how about Maoritanga Now? Novel and Film as a Dialogic Third Space

  Cornelis Martin Renes

  87-105

  • pdf

• Through the Eye of a Postmodernist Child: Ian McEwan’s "Homemade”

  Jorge Sacido Romero, Laura Mª Lojo Rodríguez

  107-119

  • pdf

• Fast Forward to the Past: Revisiting Trauma after the Fall

  Carolina Sánchez-Palencia, Manuel Almagro

  121-133

  • pdf

Book Reviews

• Huir del laberinto: Crecer en Irlanda del Norte: Una mirada literaria

  Constanza del Río

  137-140

  • pdf (Español (España))

• Haunting And Spectrality In Neo-Victorian Fiction: Possessing The Past

  María del Pilar Royo Grasa

  141-144

  • pdf

• The Multi-Protagonist Film

  Beatriz Oria Gómez

  145-149

  • pdf

• Chaos And Madness: The Politics of Fiction in Stephen Marlowe’s Historical Narratives

  Nieves Pascual

  151-156

  • pdf

• Alejandro González Iñárritu

  Ana Moya, Gemma López

  157-160

  • pdf

• Neo-Victorian Tropes of Trauma. The Politics of Bearing After-Witness to Nineteenth-Century Suffering

  Isabel Mª Andrés Cuevas

  161-166

  • pdf

• Tragedy and Otherness: Sophocles, Shakespeare, Psychoanalysis

  José Ángel García Landa

  167-173

  • pdf

• Civilizing America: Manners and Civility in American Literature and Culture

  Mohan Ramanan

  175-180

  • pdf