Don DeLillo’s Adapted Novels: The Treatment of Language, Space, and Time on Screen

Authors

DOI:

https://doi.org/10.26754/ojs_misc/mj.20227359

Keywords:

Don DeLillo, film adaptation, time, space, language

Abstract

Don DeLillo is an author who pays special attention to language, time, and space when constructing characters’ identity as well as their milieu. Considering this aspect of his fiction, the present article looks at how cinematic adaptations of his novels translate time, space, and the use of language onto the screen. Two of DeLillo’s novels have been adapted so far: Cosmopolis (DeLillo 2003) by David Cronenberg in a 2012 movie of the same name, and The Body Artist (DeLillo 2001) by Benoît Jacquot under the title À Jamais (2016). In light of the importance that the aforementioned elements play in the author’s works, this article delves into how they are represented in the two adaptations and analyzes the role that they play in the movies compared to the novels.

Downloads

Download data is not yet available.

References

ANKER, Richard. 2017. “Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo’s The Body Artist”. Angles: French Perspectives on the Anglophone World 4: 1-17. <https://doi.org/10.4000/angles.1474>.

BARAJAS, Julia. 2021. “Noah Baumbach Will Adapt DeLillo’s ‘White Noise’; Adam Driver and Greta Gerwig to Star”. Los Angeles Times (January 14). <https://www.latimes.com/entertainment-arts/story/2021-01-14/adam-driver-greta-gerwig-and-noah-baumbach-reunite-for-adaptation-of-don-delillos-white-noise>. Accessed January 17, 2022.

CLINE, Emma. 2020. “White Noise”. The New Yorker. (June 1). <https://www.newyorker.com/magazine/2020/06/08/white-noise>. Accessed January 17, 2022.

CRONENBERG, David. 2012. Cosmopolis. Entartainment One.

COWART, David. 2002. Don DeLillo: The Physics of Language. Georgia: University of Georgia Press.

DEIGNAN, Tom. 2001. “Sensation and Sensibility: The Body Artist”. Commonweal 128 (8): 28-29.

DELILLO, Don. 1988. Libra. New York: Penguin.

DELILLO, Don. 2001. The Body Artist. New York: Scribner.

DELILLO, Don. 2003. Cosmopolis. New York: Picador.

DELILLO, Don. 2005. Love Lies Bleeding. New York: Picador.

DELILLO, Don. 2010. Point Omega. New York: Scribner.

FALCONER, Rachel. 2010. “Heterochronic Representations of the Fall: Bakhtin, Milton, DeLillo”. In Bemong, Nele, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman and Bart Keunen (eds.) Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press: 111-129.

FLEMING JR., Mike. 2021. “The Starling’ Helmer Ted Melfi To Adapt & Direct Don DeLillo Masterpiece Novel ‘Underworld’ For Netflix”. Deadline (13 September). <https://deadline.com/2021/09/the-starling-ted-melfi-direct-don-delillo-novel-the-underworld-netflix-1234832683>. Accessed January 17, 2022.

GARRIGÓS, Cristina. 2015. “Death Drive and Desire in Cronenberg’s Adaptation of DeLillo’s Cosmopolis”. Critique: Studies in Contemporary Fiction, 56 (5): 519-530. <https://doi.org/10.1080/00111619.2014.959641>.

JACQUOT, Benoît. 2016. À Jamais. Alfama Films.

JAGERNAUTH, Kevin. 2015. “Alex Ross Perry To Write And Direct Adaptation Of Don DeLillo’s ‘The Names’”. Indiewire (April 7). <https://www.indiewire.com/2015/04/alex-ross-perry-to-write-and-direct-adaptation-of-don-delillos-the-names-265325>. Accessed January 17, 2022.

JELFS, Tim. 2011. “Something Deeper than Things: Some Artistic Influences on the Writing of Objects in the Fiction of Don DeLillo”. Comparative American Studies 9 (1): 146-160. <https://doi.org/10.1179/147757011X12983070064872>.

KAKUTANI, Michiko. 2003. “Books of the Times; Headed Toward a Crash, Of Sorts, in a Stretch Limo”. The New York Times (March 24). <https://www.nytimes.com/2003/03/24/books/books-of-the-times-headed-toward-a-crash-of-sorts-in-a-stretch-limo.html>. Accessed January 17, 2022.

KIRN, Walter. 2003. “Long Day’s Journey Into Haircut”. The New York Times (April 13). <https://www.nytimes.com/2003/04/13/books/long-day-s-journey-into-haircut.html>. Accessed January 17, 2022.

KITIS, Eliza, and Cleopatra KONTOULIS. 2011. “Don DeLillo’s ‘The Body Artist’: Time, Language and Grief”. Janus Head 12 (January): 222-242. <https://doi.org/10.5840/jh201112117>.

KLINE, Karen E. 1996. “‘he Accidental Tourist’ On Page and On Screen: Interrogating Normative Theories About Film Adaptation”. Literature/Film Quarterly 24 (1): 70-83.

LECLAIR, Thomas. 1982. “An Interview with Don DeLillo”. Contemporary Literature 23 (1): 19-31.

MCFARLANE, Brian. 1996. Novel to Film: An Introduction to the Theory of Adaptation. London: Clarendon Press.

NOBLE, Stuart. 2008. “Don DeLillo and Society’s Reorientation to Time and Space: An Interpretation of Cosmopolis”. Aspeers 1: 57-70.

OSTEEN, MARK. 2000. American Magic and Dread: Don DeLillo’s Dialogue with Culture. Pennsylvania: University of Pennsylvania Press.

PHILIPP, Sven. 2003. “Words and Syllables”. Electronic Book Review (May 29). <http://electronicbookreview.com/essay/words-and-syllables>. Accessed January 17, 2022.

SANDERS, George. 2016. “Religious Non-places: Corporate Megachurches and Their Contributions to Consumer Capitalism”. Critical Sociology 42 (1): 71-86. <https://doi.org/10.1177/0896920514531605>.

SHEEHAN, Dan. 2021. “The Netflix-Don DeLillo Romance Continues with Underworld”. Literary Hub (September 14). <https://lithub.com/the-netflix-don-delillo-romance-continues-with-underworld>. Accessed January 17, 2022.

UPDIKE, John. 2003. “One-Way Street”. The New Yorker (March 23). < https://www.newyorker.com/magazine/2003/03/31/one-way-street>. Accessed January 17, 2022.

VEGGIAN, Henry. 2015. Understanding Don DeLillo. South Carolina: University of South Carolina Press.

YOUNG, Neil. 2016. “Never Ever (À jamais): Film Review | Venice 2016”. The Hollywood Reporter (September 9). <https://www.hollywoodreporter.com/movies/movie-reviews/never-ever-a-jamais-926204>. Accessed January 17, 2022.

Downloads

Published

2022-12-13

How to Cite

Alvarez Trigo, L. (2022). Don DeLillo’s Adapted Novels: The Treatment of Language, Space, and Time on Screen. Miscelánea: A Journal of English and American Studies, 66, 151–169. https://doi.org/10.26754/ojs_misc/mj.20227359

Issue

Section

ARTICLES: Literature, film and cultural studies