"Whatever her Faith may be": Some Notes on Catholicism in Maria Edgeworth's Oeuvre

Autores/as

  • Carmen María Fernández Rodríguez Universidad de A Coruña

DOI:

https://doi.org/10.26754/ojs_misc/mj.20138829

Palabras clave:

Maria Edgeworth, Catolicismo, Irlanda, Colonialismo, Literatura de autoría femenina

Resumen

La relación entre la escritora angloirlandesa Maria Edgeworth (1768-1849) y el Catolicismo siempre ha sido estrecha y ha estado condicionada por la inscripción de la autora en la “Protestant Ascendancy” y por las ideas ilustradas de su padre. Este estudio pretende reevaluar el rol de los católicos en los textos de ficción y no ficción que Edgeworth escribió sola y en colaboración con su padre. Los Edgeworth se interesaban más por la valía individual que por el sectarismo y apoyaban el desarrollo económico e intelectual de Irlanda, proceso en el que los católicos jugaban un papel importante y aparecían caracterizados positivamente. La defensa y aceptación de los católicos se articula en las obras de Edgeworth a través de la insistencia en la educación de los católicos y la representación de la legitimación del señor anglo-irlandés y su matrimonio con una mujer de ascendencia católica. Se mostrará que, más que abrazar la posición de una colonizadora, Edgeworth atacó valientemente el prejuicio y abusos de poder por parte de los ingleses hacia los irlandeses, al mismo tiempo que preveía una sociedad en la que los católicos mantenían su identidad y se colocaban socialmente al nivel del resto de los británicos

Descargas

Los datos de descargas todavía no están disponibles.

Citas

Beckett, J.C. 1976. The Anglo-Irish Tradition. Ithaca, New York: Cornell U.P.

Bhabha, Homi K. 1994. The Location of Culture. London and New York: Routledge.

Butler, Harriet Jesse and Harold Edgeworth Butler. 1928. “Sir Walter Scott and Maria Edgeworth: Some Unpublished Letters”. Modern Language Review 23 (3): 273-98.

Butler, Marilyn. 1972. Maria Edgeworth: A Literary Biography. Oxford: Clarendon Press.

—. 1981. Romantics, Rebels and Revolutionaries: English Literature and Its Background 1760-1830. Oxford, New York, Toronto and Melbourne: Oxford U.P.

—. 1992. Introduction. Castle Rackrent and Ennui (1800-1809). Harmonsworth: Penguin Classics: 1-54.

—. (Gen. ed.) 1999 and 2003. The Novels and Selected Works of Maria Edgeworth. 13 vols. London: Pickering and Chatto.

—. 2001. “Edgeworth’s Ireland: History, Popular Culture and Secret Codes”. Novel 34 (2): 267-292.

—. 2004. “Edgeworth, the United Irishmen, and ‘More Intelligent Treason’”. In Kauffman, Heidi and Chris Fauske (eds.) An Uncomfortable Authority: Maria Edgeworth and her Contexts. Newark: University of Delaware Press: 33-61.

Carderera, Mariano. 1855. Diccionario de educación y métodos de enseñanza. Tomo 2. Madrid: Imprenta de A. Vicente.

Colvin, Christina (ed.) 1971. Letters from England 1813-1844. Oxford: Clarendon Press.

Corbett, Mary Jean. 1994a. “Public Affections and Familiar Politics: Burke, Edgeworth and the ‘Common Naturalisation’ of Great Britain”. English Literary History 61: 877-897.

—. 1994b. “Another Tale to Tell: Postcolonial Theory and the Case of Castle Rackrent”. Criticism 36 (3): 383-400.

—. 2002. “Between History and Fiction: Plotting Rebellion in Maria Edgeworth’s Ennui”. Nineteenth-Century Literature 57 (3): 297-322.

Dab undo, Laura. 2006. “Maria Edgeworth and the Irish ‘Thin Places’”. In Nash, Julie (ed.): 193-198.

Dunne, Tom. 1991. “‘A Gentleman’s Estate Should Be a Moral School’: Edgeworthstown in Fact and Fiction, 1760-1840”. In Gillespie,

Raymond and Gerard Moran (eds.) Longford: Essays in County History. Dublin: The Lilliput Press: 95-112.

Eagleton, Terry. 1995. Heathcliff and the Great Hunger. London and New York: Verso.

Edgeworth, Maria. 1817. Comic Dramas, in Three Acts. London: R. Hunter.

—. 1848. Orlandino. Edinburgh: William and Robert Chambers.

—. 1893. Harrington, Tales and Novels by Maria Edgeworth. The Longford Edition. Vol. 9. London: George Routledge and Sons Ltd.

—. (1893) 1967. Tales and Novels. The Longford Edition. Vol. 4. Rpt. Anglistica and Americana Series. Hildesheim: Georg Olms Verlag.

—. 1972. Ormond. Jeffares, Norman A. (ed. and introd.) Shannon, Ireland: Irish U.P.

—. 1988. The Absentee. McCormack, W.J. and Kim Walker (eds. and introd.) Oxford and New York: Oxford U.P.

—. (1809) 1994a. Essays on Professional Education. With R. L. Edgeworth. Bristol: Thoemnes Press; Taipei: Unifacmanu Trading Company Ltd.

—. (1801) 1994b. Belinda. Kirkpatrick, Kathryn J. (ed. and introd.) Oxford and New York: Oxford U.P.

—. (1801-12) 1994c. Castle Rackrent and The Absentee. Hertfordshire: Wordworth Classics.

—. (1800) 1995. Castle Rackrent. Watson, G. (ed. and introd.) Oxford and New York: Oxford U.P.

Felsenstein, Frank. 1995. Anti-semitic Stereotypes: A Paradigm of Otherness in English Popular Culture 1660-1830. Baltimore and London: the Johns Hopkins U.P.

Fernández Rodríguez, Carmen María. 2008. “From Ireland to Australia: Gendered Illustrations of the Nation in Maria Edgeworth’s Ennui and Rosa Praed’s Lady Bridget in the Never-Never Land”. In Lorenzo Modia, María Jesús and Roy C. Boland Osegueda (eds.) Australia and Galicia: Defeating the Tyranny of Distance. Jannali: Antipodas Monographs: 309-319.

—. 2009. “Leaving Utopia Behind: Maria Edgeworth’s Views of America”. Estudios Irlandeses 4: 9-20.

—. 2010a. “Blurring the Lines between the Nations: Slippery Identities in Maria Edgeworth’s Patronage (1814) and Ormond (1817)”. Op. Cit: A Journal of Anglo-American Studies 12: 277-288.

—. 2010b. “Traducción y didactismo en el siglo diecinueve: ‘Mañana’ y ‘Un acreedor’ de Maria Edgeworth”. Babel 19: 21-38.

—. 2012. “Slight Productions: An Introduction to Maria Edgeworth’s Comic Dramas (1817)”. Estudios Irlandeses 7: 33-43.

Giffin, Michael. 2002. Jane Austen and Religion: Salvation and Society in Georgian England. Houndmills and New York: Palgrave Macmillan.

Gilbert, Sandra M. and Susan Gubar. 1984. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven and London: Yale U.P.

Grey, Rowland. 1907. “Society According to Maria Edgeworth”. Fortnightly Review 82: 296-308.

Häusermann, W.C. 1952. The Genevese Background. London: Routledge and Kegan Paul.

Jeffrey, Francis. 1817. “Review of Harrington and Ormond”. The Edinburgh Review 28: 390-412.

Kauffman, Heidi and Chris Fauske (eds.) 2004. An Uncomfortable Authority: Maria Edgeworth and her Contexts. Newark: University of Delaware Press.

Kelly, Gary. 1992. Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft. Houndmills: Macmillan Press Ltd.

Kim, Elizabeth S. 2003. “Maria Edgeworth’s The Grateful Negro: A Site for Rewriting Rebellion”. Eighteenth-Century Fiction 16 (1): 103-126.

Knox-Shaw, Peter. 2004. Jane Austen and the Enlightenment. Cambridge: Cambridge U.P.

Mac Donald, Edgar E. (ed.) 1977. The Education of the Heart: The Correspondence of Rachel Lazarus Mordecai and Maria Edgeworth. Chapel Hill: The University of North Carolina Press.

Manly, Susan. 2000. “Burke, Toland, Toleration: the Politics of Prejudice, Speculation and Naturalization”. In Whale, John (ed.) Edmund Burke’s Reflections on the Revolution in France. Manchester and New York: Manchester U.P.: 145-167.

—. 2006. “Maria Edgeworth (1768-1846)”. The Female Spectator 10 (2): 1-3.

McCormack, W.J. 1985. Ascendancy and Tradition in Anglo-Irish Literary History from 1789 to 1939. Oxford: Clarendon Press.

McLoughlin, Tim. 2002. “Settler Instability: Edgeworth’s Irish Novels and Settler Writing from Zimbabwe”. In Hooper, Glen and Colin Graham (eds.) Irish and Postcolonial Writings. Houndmills and New York: Palgrave Macmillan: 89-108.

Moynahan, Julian. 1995. “Maria Edgeworth 1768-1845: Origination and A Checklist”. In Moynahan, Julia (ed.) Anglo-Irish: The

Literary Imagination in a Hyphenated Culture. Princeton: Princeton U.P.: 12-42.

Murray, Patrick. 1971. Maria Edgeworth: A Study of The Novelist. Cork: The Mercier Press.

Myers, Mitzi. 1995. “Shot from Cannons; Or, Maria Edgeworth and the Cultural Production and Consumption of the Late Eighteenth-

Century Woman Writer”. In Bermingham, Ann and John Brewer (eds.) The Consumption of Culture 1600-1800: Image, Object, Text. New York: Routledge: 193-214.

—. 1996. “‘Like the Pictures in a Magic Lantern’: Gender, History, and Edgeworth’s Rebellion Narratives”. Nineteenth-Century Contexts 19: 373-412

Nash, Julie. 2006. New Essays on Maria Edgeworth. Aldershot: Ashgate.

Ní Chuilleanáin, Eiléan. 1985. “Women as Writers: Dánta Grá to Maria Edgeworth”. In Ní Chuilleanáin, Eiléan. (ed.) Irish Women, Image and Achievement. Dublin: Arlen House: 111-126.

O’Shaughnessy, D. 1999. “Ambivalence in Castle Rackrent”. The Canadian Journal of Irish Studies 25 (1-2): 427-440.

Rees, Abraham. 1819. The Cyclopaedia; or, Universal Dictionary of Arts, Sciences and Literature. 39 vols. London: Longman, Hurst,

Rees, Orme and Brown.

“Review of Helen”. 1834. North American Review 39: 167-200.

“Review of Tales of Fashionable Life”. Second Series. 1812. Eclectic Review 8: 979-1000.

Ryan, Kara M. 2006. “Justice, Citizenship and the Question of Feminine Subjectivity: Reading The Absentee as a Historical Novel”. In Nash, J. (ed.): 175-192.

Tracy, Robert. 1985. “Maria Edgeworth and Lady Morgan: Legality versus Legitimacy”. Nineteenth Century Fiction 40 (1): 1-22.

Wolff, Robert Lee. 1978. “Introduction”. Ennui. New York: Garland: v-xxv.

Woolf, Virginia. 1942. The Common Reader. London: The Hogarth Press.

Descargas

Publicado

2014-01-07

Cómo citar

Fernández Rodríguez, C. M. (2014). "Whatever her Faith may be": Some Notes on Catholicism in Maria Edgeworth’s Oeuvre. Miscelánea: A Journal of English and American Studies, 48, 29–44. https://doi.org/10.26754/ojs_misc/mj.20138829

Número

Sección

Literatura, cine y cultura