Treacherous ‘Saracens’ and Integrated Muslims: The Islamic Outlaw in Robin Hood’s Band and the Re- Imagining of English National Identity, 1800 to the Present
DOI:
https://doi.org/10.26754/ojs_misc/mj.20099662Palabras clave:
Robin Hood, Identidad inglesa, Musulmanes, Islam, ImperialismoResumen
Robin Hood, como narrativa popular ficticia de la historia, ha desempeñado un papel importante en el desarrollo de la cohesión social moderna y de lo que significa ser inglés. La inclusión desde 1800 de un personaje musulmán en la banda de Robin Hood, ignorada por la crítica, constituye un elemento importante a la hora de valorar la evolución de la identidad inglesa. En este artículo, propongo dos argumentos interpretativos únicos en el estudio de Robin Hood. En primer lugar, los diferentes personajes musulmanes, a pesar de sus nombres diversos, constituyen variaciones del mismo personaje, convertido en un accesorio fijo en la leyenda. En segundo lugar, podemos dividir las variaciones de este personaje en dos tipos generales: el “sarraceno” traicionero y el musulmán integrado. El primer tipo es característico de la Inglaterra del siglo diecinueve y de su imperio, mientras que el segundo tipo es característico de la Inglaterra de la posguerra (y posimperial). Ambos tipos del personaje musulmán han contribuido a la re-imaginación de la identidad inglesa, aunque de formas diferentes. Este artículo pretende analizar cómo la transformación de este personaje de “sarraceno” traicionero a musulmán integrado, en el contexto de la evolución de Robin Hood, refleja concepciones cambiantes de lo que significa ser inglés.
Descargas
Citas
ALLEVA, Richard. 1991, 9 August. “Ignorants Abroad: Robin’ & ‘Impromtu.’” Commonweal, 118 (14): 485–486.
ANDERSON, Benedict. (1983) 2006. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. New York: Verso.
BALIBAR, Etiénne. 1991. “The Nation-Form.” In Balibar, Etiénne and Immanuel Wallerstein. (eds.) Race, Nation, Class: Ambiguous Identities. New York: Verso: 86–106.
BARCZEWSKI, Stephanie Lynn. 2000. Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood. New York: Oxford U.P.
BARTLETT, Robert. 2000. England Under the Norman and Angevin Kings, 1075-1225. New York: Oxford U.P.
BAUDRILLARD, Jean. 1983. Simulations. Trans. Paul Foss et al. New York Semiotext(e).
BAXTER, Kylie. 2006. “From Migrants to Citizens: Muslims in Britain, 1950s-1990s.” Immigrants and Minorities, 24 (2): 164–192.
BEHLMER, George, and Fred LEVENTHAL. (eds.) 2000. Singular Continuities: Tradition, Nostalgia, and Identity in Modern British Culture. Stanford: Stanford U.P.
BLUNK, Laura. 2000. “Red Robin: The Radical Politics of Richard Carpenter’s Robin of Sherwood.” In Hahn, Thomas. (ed.) Robin Hood in Popular Culture. Cambridge: D.S. Brewer: 29–40.
BRAND, Charles E. n.d. [1901-1906?]. Robin Hood, Vol. 15: For Richard and the Right–A Story of Gallant Deeds. London: Aldine.
BROCK, Colin. 1986. The Caribbean in Europe. London: Routledge.
BROOKS, C.W., C.L. KEARNEY, and Joachim STOCQUELER. 1859. “Robin Hood and Richard Coeur de Lion.” Plays. London: Fairbrother.
CANNADINE, David. 1995. “British History as a ‘New Subject’: Politics, Perspectives and Prospects.” In Grant, Alexander and Keith STRINGER. (eds.) Uniting the Kingdom? The Making of British History. New York: Routledge: 12–30.
CARPENTER, Richard. 1985a. “The Children of Israel.” Robin of Sherwood. Produced by Paul Knight. Directed by Alex Kirby. Goldcrest. (60 min.).
—. 1985b. “The Greatest Enemy.” Robin of Sherwood. Produced by Paul Knight. Directed by Robert Young. Goldcrest. (60 min.).
—. 1986a. “Herne’s Son.” Robin of Sherwood. Produced by Esta Charkham. Directed by Robert Young. Goldcrest. (90 min.).
—. 1984a. “The King’s Fool.” Robin of Sherwood. Produced by Paul Knight. Directed by Ian Sharp. Goldcrest. (60 min.).
—. 1985c. “Lord of the Trees.” Robin of Sherwood. Produced by Paul Knight. Directed by James Allen. Goldcrest. (60 min.).
—. 1986b. “The Power of Albion.” Robin of Sherwood. Produced by Esta Charkham. Directed by Gerry Mill. Goldcrest. (60 min.).
—. 1984b. “Robin Hood and the Sorcerer.” Robin of Sherwood. Produced by Paul Knight. Directed by Ian Sharp. Goldcrest. (100 min.).
—. 1985d. Robin of Sherwood. New York: Puffin Books.
—. 1988. Robin of Sherwood: The Time of the Wolf. New York: Puffin Books.
CASCIANI, Dominic. 2005, 5 August. “Analysis: UK at Ease with Islam?” BBC News. 3 pp. Retrieved 23 January 2008 from http://news.bbc.co.uk/2/hi/uk_news/4139402.stm
CLOUET, Richard. 2001-2002. “The Robin Hood Legend and its Cultural Adaptation for the
Film Industry: Comparing Literary Sources with Filmic Representations.” Journal of English Studies, 3: 37–46.
COLLEY, Linda. 1992. Britons: Forging a Nation, 1707-1837. New Haven: Yale U.P.
CRESWICK, Paul. 1917. Robin Hood. Philadelphia: David McKay.
DENSHAM, Pen, and John WATSON. 1991. Robin Hood: Prince of Thieves. Produced by Pen
Densham, John Watson, and Richard Lewis. Directed by Kevin Reynolds. Morgan Creek/Warner Brothers. (155 min.).
DOYLE, Kurti, and Bev DOYLE. 2006. “Peace? Off!” Robin Hood. Produced by Richard Burrell. Directed by Graeme Harper. Tiger Aspect Productions. (45 min.).
FOUCAULT, Michel. 1997. “Society Must be Defended”: Lectures at the Collège de France,
-1976. Trans. David Macey. New York: Picador.
FRYER, Peter. 1984. Staying power: The History of Black People in Britain. London: Pluto Press.
GILROY, Paul. 1987. There Ain’t No Black in the Union Jack: The Cultural Politics of Race and Nation. London: Hutchinson.
GILSON, Major Charles. (1940) 1971. The Adventures of Robin Hood. London and Glasgow: Children’s Press.
GREEN, Simon. 1991. Robin Hood: Prince of Thieves. New York: Berkley Books.
HALL, Catherine, and Sonya ROSE. (eds.) 2006. At Home with the Empire. New York: Cambridge U.P.
HALL, Catherine (ed.). 2000. Cultures of Empire. Manchester: Manchester U.P.
HARGRAVE, Andrea Millwood (ed.). 2002. Multicultural Broadcasting: Concept and Reality. Broadcasting Standards Commission and Independent Television Commission.
HARTY, Kevin J. 2000. “Robin Hood on Film: Moving Beyond a Swashbuckling Stereotype.” In Hahn, Thomas. (ed.) Robin Hood in Popular Culture. Cambridge: D.S. Brewer: 87–100.
HILL, Christopher. 1965. “The Norman Yoke.” Puritanism and Revolution. London: Secker:
–112.
HIRO, Dilip Hiro. 1991. Black British, White British: A History of Race Relations in Britain.
Rev. ed. London: Grafton Books.
The History and Famous Exploits of Robin Hood. 1806. Banbury: W. Rusher. Cited in Stephanie Lynn Barczewski. 2000.
Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood. New York: Oxford U.P: 224.
JOHN, Cindi. 2004, 8 January. “Most minorities ‘think British.’” BBC News. 2 pp. Retrieved on 23 January 2008 from http://news.bbc.co.uk/2/hi/uk_news/3376769.stm.
JOLY, Danièle. 1995. Britannia’s Crescent. Brookfield, VT: Avebury.
JULIOS, Christina. 2008. Contemporary British Identity. Aldershot: Ashgate.
JONES, Edwin. 1998. The English Nation: The Great Myth. Thrupp, Gloucestershire: Alan Sutton.
KATZNELSON, Ira. 1973. Black Men, White Cities: Race, Politics, and Migration in the United States, 1900-1930, and Britain, 1948-1968. London: Institute of Race Relations/Oxford U.P.
KLAWANS, Stuart. 1991, 8 July. “Summer Celluloid Meltdown.” The Nation, 253 (2): 64–66.
KNIGHT, Stephen. 2006. “Remembering Robin Hood.” European Journal of English Studies 10 (2): 149–161.
—. 1994. Robin Hood: A Complete Study of the English Outlaw. Williston, VT: Blackwell.
— 2000. “Which Way to the Forest?” In Hann, Thomas. (ed.) Robin Hood in Popular Culture. Cambridge: D. S. Brewer: 111–128.
—. 2003. Robin Hood: A Mythic Biography. Ithaca: Cornell U.P.
LAMPE, David. 2000. “The Heirs/Errors of Ivanhoe: Robin Hood in Pre- and Post-Modern Fiction.” In Hahn, Thomas. (ed.) Robin Hood in Popular Culture. Cambridge: D. S. Brewer: 129–140.
LEWIS, Philip. 1994. Islamic Britain. London: I. B. Tauris.
LINDEBORG, Ruth H. 1994. “The ‘Asiatic’ and the Boundaries of Victorian Englishness.” Victorian Studies, 37 (3): 381–404.
MARTONE, Eric. 2009. “Blacks in the Robin Hood Legend.” In Martone, Eric. (ed.) Encyclopedia of Blacks in European History and Culture. Westport, CT: Greenwood Press: 450–452.
MINGHELLA, Dominic. 2006. “Sheriff Got Your Tongue?” Robin Hood. Produced by Richard Burrell. Directed by John McKay. Tiger Aspect Productions. (45 min.).
MITCHELL, Julian. 2006. “Tattoo? What Tattoo?” Robin Hood. Produced by Richard Burrell.
Directed by Declan O’Dwyer. Tiger Aspect Productions. (45 min.).
MORELY, David, and Kevin ROBINS. (eds.) 2001. British Cultural Studies: Geography, Nationality, and Identity. New York: Oxford U.P.
NOYES, Alfred. 1911. Sherwood, or, Robin Hood and the Three Kings. New York: Frederick A. Stokes.
OATES, Debbie. 2006. “Turk Flu.” Robin Hood. Produced by Richard Burrell. Directed by Declan O’Dwyer. Tiger Aspect Productions. (45 min.).
PAUL, Kathleen. 1997. Whitewashing Britain. Ithaca: Cornell U.P.
PEARCE, Garth. 1991. Robin Hood: Prince of Thieves–The Official Movie Book. New York:
Mallard.
PEERS, Douglas M. 1997. “‘Those Noble Exemplars of the True Military Tradition’: Constructions of the Indian Army in the Mid-Victorian Press.” Modern Asian Studies, 31 (1): 109–142.
PHILIPS, Richard. 2006. Sex, Politics, and Empire. Manchester: Manchester U.P.
POLLARD, A.J. 2004. Imagining Robin Hood: The Late Medieval Stories in Historical Context. New York: Routledge.
PRYCE, Everton A. 1985. “The Notting Hill Gate Carnival.” Caribbean Quarterly, 31 (2): 35–52.
RUNNYMEDE TRUST. 2000. The Future of Multi-Ethnic Britain: Report of the Commission on the Future of Multi-Ethnic Britain. London: Profile Books.
SAID, Edward W. (1978) 2003. Orientalism. New York: Vintage.
SCHUMAN, Kate (Associated Press). 2007, 5 November. “Robin Hood’s Sherwood Forest Needs a Rescue Plan.” The New York Sun. 2 pp. Retrieved on 10 December 2007 from http://www.nysun.com/foreign/robin-hoods-forest-needs-a-rescue-plan/65867.
SCOTT, Sir Walter. (1819-1820) 2004. Ivanhoe. Mineola, NY: Dover Publications.
SHAHEEN, Jack G. 2003. “Reel Bad Arabs: How Hollywood Vilifies a People.” The Annals of
the American Academy of Political and Social Science, 588 (1): 171–193.
SMALL, Stephen. 1994. Racialized Barriers: The Black Experience in the United States and
England in the 1980s. London: Routledge.
STOCQUELER, Joachim H. (1849) 2005. Robin Hood Classic Fiction, Volume VII: Maid Marian, or, the Forest Queen. Stephen Knight (ed.). London and New York: Routledge.
STOREY, Mike, and Peter CHILDS (eds.). 2008. British Cultural Identities. 3rd ed. New York:
Routledge.
SULLIVAN, Kevin. 2005, 11 August. “Poll: Britons Support Multiculturalism.” Washington Post. 2 pp. Retrieved on 8 December 2007 from http://www.washingtonpost.com/wpdyn/content/article/2005/08/10/AR2005081001920.html.
TABILI, Laura. 1994. “We Ask For British Justice”: Workers and Racial Difference in Late
Imperial Britain. Ithaca: Cornell U.P.
TAHER, Abul. 18 February 2007. “Minorities feel more British than whites.” The Sunday Times (UK). 2 pp. Retrieved on 6 December 2007 from h http://www.timesonline.co.uk/tol/news/uk/article1400803.ece.
WADLOW, Mark. 2006. “Parent Hood.” Robin Hood. Produced by Richard Burrell. Directed
by Richard Standeven. Tiger Aspect Productions. (45 min.).
“What, no tights?” 1991, 8 June. The Economist 319 (7710): 91 WHITFIELD, James. 2004. Unhappy Dialogue: The Metropolitan Police and Black Londoners in Post-war Britain. Portland, OR: Willan Publishing.
WRIGHT, Allen W. 1998a. “Interviews in Sherwood: Richard Carpenter.” Robin Hood: Bold Outlaw of Barnsdale and Sherwood. 7 pp. Retrieved on 23 December 2007 from
http://www.boldoutlaw.com/robint/richcarp.html.
—. 1998b. “Interviews in Sherwood: Mark Ryan.” Robin Hood: Bold Outlaw of Barnsdale
and Sherwood. 18 pp. Retrieved on 23 December 2007 from http://www.boldoutlaw.com/robint/ryan1.html.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.