Overturning the "bowle of creame": some reflections on intertextuality and gender
DOI:
https://doi.org/10.26754/ojs_tropelias/tropelias.19977-85622Keywords:
Intertextuality, genderAbstract
Many are the factors which should be taken into account when it comes to analyzing what has increasingly become one of the defining features of contemporary literature, both in its modernist and postmodernist phases. In this article, I intend to show the influence that questions of gender have had upon the complex phenomenon of intertextuality. Feminist criticism has contributed to widening the intertextual field by bringing to the fore the neglected work of female authors. Moreover, traditional works by male writers have been re-read and re-interpreted, while well-known literary conventions have become subverted in an attempt to present experience from an-other point of view. To illustrate this fact, I have compared two sets of poems which approach, from different perspectives, the subject of the female body. The intertextual house has many rooms and many voices, and each newcomer demands from us to see the whole in a new, ever changing light.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 M.ª Jesús Martínez Alfaro

This work is licensed under a Creative Commons Attribution 4.0 International License.
Los artículos enviados a la revista Tropelías deben ser originales e inéditos, no publicados previamente en cualquier soporte. Únicamente se aceptará material publicado total o parcialmente con anterioridad, o que esté en proceso de evaluación en otra revista, si se hace constar la causa de tal duplicación y se facilita la fuente donde ha aparecido dicho artículo.
Las imágenes que se incluyan en los artículos estarán libres de derechos de reproducción y, en caso contrario, los autores deberán presentar los permisos para su publicación y asumir los pagos derivados de ello.
Los artículos y reseñas publicados en la revista Tropelías pueden ser incluidos en repositorios temáticos o institucionales desde el momento de su publicación, sin modificación alguna e indicando claramente su procedencia.