A transmedia perspective on net.art narrative and its digimodernist context

Authors

DOI:

https://doi.org/10.26754/ojs_tropelias/tropelias.202399644

Keywords:

Literature, Transmedia narratives, Digimodernist context, Net.art, Metaverse, NFTs, Paid culture, Intellectual poperty

Abstract

This article explores transmedia narratives and their digimodernist context through the literary-artistic phenomena that have emerged from Internet and a whole interconnected community on the net. Through a journey from the origins of net.art to its evolution towards NFTs and the Metaverse, it analyses the processes of digital writing and reading towards paid culture and intellectual property. Thus, it explores what the mission of literature is in these digital universes.

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Author Biography

Blanca Escobar Mengual, Universidad de Murcia

Graduate in Performance in Creative Theatre (ESAD Murcia), postgraduate in Dance and Movement Arts (UCAM Murcia) and MBA in Business Management and Cultural Institutions (UCM). In her career as an artist, she has toured Europe in Azart -Ship of Fools, her residency at SafeHouse Arts in San Francisco as well as at Teatro Dona Maria II in Lisbon.

 

Currently, she is a stage creator in Cía Traspasarte with tours in Egypt and Tunisia, artist in collaboration with La Juan Gallery; as a cultural manager she works with Teatro Silfo and coordinates Fever's Candlelight concerts in the Region of Murcia. She also belongs to the Board of Directors of the Institute of Cultural Managers and Programmers of the Region of Murcia and is a doctoral student at the University of Murcia with her thesis on "The cultural management of the Murcian heritage of the Region of Murcia".

Published

2023-11-07

How to Cite

Escobar Mengual, B. (2023). A transmedia perspective on net.art narrative and its digimodernist context. Tropelías: Review of Literary Theory and Comparative Literature, (9), 45–58. https://doi.org/10.26754/ojs_tropelias/tropelias.202399644