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Kusch y la verdad radicalmente situada. Una perspectiva decolonial de la historia

Authors

  • Eugenia Gay Universidad Nacional de Córdoba

DOI:

https://doi.org/10.26754/ojs_historiografias/hrht.10798

Abstract

Abstract

The article examines the conception of history presented throughout the different works of the philosopher Rodolfo Kusch. His criticism of the so-called mestizo historiography is articulated on a broader conception of culture as an ethical option configured from the historical-political response of every society to the fear that characterizes existence. This response, categorized as learned or popular thinking, as being or being-there, as logical or seminal thinking, configures specific ways of considering historical events and the truth of history. It also allows us to understand disputes over historical truth not only as a result of disciplinary or philosophical logic, but as a survival strategy at the level of situated experience.

Keywords

Rodolfo Kusch, philosophy of history, situated thinking

 

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Author Biography

Eugenia Gay, Universidad Nacional de Córdoba

Eugenia Gay is professor of Introduction to History and Epistemology of the Social Sciences at the National University of Córdoba, Argentina. She holds a PhD and a Master’s degree in History with a specialization in the theory of history. She has taught undergraduate and graduate courses in Argentina, Brazil, Japan and Germany. She is the author of the book La historia tras el desastre, Historiografía alemana de posguerra (Rosario: Prohistoria, 2020) and has published articles in specialized journals. She co-directs the research project Theory and philosophy of history: approaches to the concept and phenomenon of ‘mediation’.

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Published

2024-06-30

Versions

How to Cite

Gay, E. . (2024). Kusch y la verdad radicalmente situada. Una perspectiva decolonial de la historia. Historiografías, 27, 56–69. https://doi.org/10.26754/ojs_historiografias/hrht.10798

Issue

Número 27 (Enero-Junio, 2024)

Section

Historia y Teoría

License

Esta obra está bajo una Licencia Creative Commons Atribución-CompartirIgual 4.0 Internacional.