Meeting the Civilised Barbarian: Bram Stocker's Dracula and Joseph Conrad's Hear of Darkness

Authors

  • Sara Martín Universitat Autónoma de Barcelona

DOI:

https://doi.org/10.26754/ojs_misc/mj.200011220

Keywords:

Stoker, Conrad, Coppola, Masculinity, Colonialism

Abstract

Even though there was no direct relationship between Bram Stoker and Joseph Conrad, there are sufficient grounds for a comparison between their two masterpieces, Dracula and Heart of Darkness, respectively. Both texts were first published in the same year, 1898, and"both voice similar concerns regarding the onset of the crisis of masculinity still making itself felt today and the position of Europe regarding the margins of the colonial world. Both Conrad and Stoker were aliens living in England, which lent an intriguing dimension to their views of the colonial and imperial question. These links have been recently stressed by the filming of Apocalypse Now (an adaptation of Heart of Darkness) and Bram Stoker's Dracula by the American director Francis Ford Coppola. Coppola has re-read the crisis of masculinity and the imperial question, transforming them into a valediction to the death of a form of patriarchal masculinity that he romanticises.

Downloads

Download data is not yet available.

References

ACHEBE, Chinua. 1978. "An Image of Africa". Research in African Literature.

ARATA, Stephen D. 1990. "The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization". Victorian Studies, 33:4: 621-645.

AUERBACH, Nina. 1995. Our Vampires, Ourselves. Chicago and London: The University of Chicago Press.

BRANTLINGER, Patrick. 1988. Rule of Darhiess: British Literature and Imperialism 1830-1914. Ithaca and London: Cornell U. P.

CONRAD, Joseph. 1984. Heart of Darhiess. In Youth, Heart of Darkness, The End of the Tether. Oxford and New York: Oxford U. P.: 43-162.

Cox, C. B. (ed.). 1981. Conrad: Heart of Darhiess, Nostromo and Under Western Eyes. London: Macmillan.

DIJKSTRA, Bram. 1996. Evil Sisters: The Threat of Female Sexuality and the Cult of Manhood. New York: Alfred Knopf.

GAGNIER, Regenia. 1990. "Evolution and Information, or Eroticism and Everyday Life". In Barreca, R. (ed.). Sex & Death in Victorian Literature. Houndmills and London: Macmillan: 140-157.

GELDER, Ken. 1994. Reading the Vampire. London and New York: Routledge.

KNOWLES, Owen. 1989. A Conrad Chronology. London: Macmillan.

---. 1994. '"Who's afraid of Schopenhauer?' A New Context for Conrad's Heart of Darkness". Nineteenth Century Literature. 49:1: 75-106.

LEATHERDALE, Clive. 1985. Dracula: The Novel and the Legend. Wellingborough, Northamptonshire: The Aquarian Press.

LEWIS, Pericles. 1998. "His Sympathies Were in the Right Place: Heart of Darkness and the Discourse of National Character''. Nineteenth Century Literature, 53:2: 211-244.

PICK, Daniel. 1988. "'Terrors of the Night': Dracula and 'Degeneration' in the Late Nineteenth Century". Critical Quarterly, 30:4: 71-87.

PUNTER, David. 1980. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. London and New York: Longman.

SEDGWICK, Eve Kosofsky. 1985. Between Men: English Literature and Male Homosocial Desire. New York: Columbia U.P.

SHAFFER, Brian W. 1993. "'Rebarbarizing Civilization': Conrad's African Fiction and Spencerian Sociology". PMLA, 108:1: 45-58.

SHERRY, Norman. (ed.). 1973. Conrad: The Critical Heritage. London and Boston: Routledge and Kegan Paul.

SMITH, Johanna M. 1996. "'Too Beautiful Altogether': Ideologies of Gender and Empire in Heart of Darkness". In Murfin, R. C. (ed.). Joseph Conrad: Heart of Darkness. Boston: St. Martin's Press: 179-195.

STOKER, Bram. (1897) 1983. Dracula. Oxford and New York: Oxford U. P.

WATT, Ian. 1980. Cornad in the Nineteenth Century. London: Chatto & Windus.

WHITE, Andrea. 1995. Joseph Conrad and the Adventure Tradition: COnstructing and Deconstructing the Imperial Subject. Cambridge: Cambridge U.P.

YOUNG, Gloria L. 1982-83. "Quest and Discovery: Joseph Conrad and Carl Jung's African Journeys". Modern Fiction Studies, 28:4: 583-589.

ZHUWARARA, R. 1994. "Heart of Darkness Revisited: The African Response". Junapipi, 16:3: 21-37.

Downloads

Published

2000-12-31

How to Cite

Martín, S. (2000). Meeting the Civilised Barbarian: Bram Stocker’s Dracula and Joseph Conrad’s Hear of Darkness. Miscelánea: A Journal of English and American Studies, 22, 101–121. https://doi.org/10.26754/ojs_misc/mj.200011220