Vol. 22 (2000): Literature, Film and Cultural Studies

Published: 2000-12-31

Full Issue

• pdf

Articles

• The End of History. Or, is it? Circularity versus Progress in Caryl Phillips' The Nature of Blood

  Ángeles De la Concha

  1-19

  • pdf

• Post-Baroque Sublime? The Case of Peter Ackroyd

  Jean-Michel Ganteau

  21-44

  • pdf

• Caribbean Women Poets - Disarming Tradition

  Christine Harris

  45-60

  • pdf

• May Sinclair's The Three Sisters as an Early Example of Modernist Fiction

  María Francisca Llantada Díaz

  61-81

  • pdf

• Raving about Things that Won't Solve: Marylee Hadley in Written on the Wind

  Vicky Luzón

  83-99

  • pdf

• Meeting the Civilised Barbarian: Bram Stocker's Dracula and Joseph Conrad's Hear of Darkness

  Sara Martín

  101-121

  • pdf

• Effects of Garden-pathing in Martin Amis's novels Time's Arrow and Night Train

  Daniel Oertel

  123-140

  • pdf

• The African Past in America as a Bakhtinian and Levinasian Other. "Rememory" as Solution in Toni Morrison's Beloved

  Ángel Otero Blanco

  141-158

  • pdf

• Fashioning the Self from the Chasm: De Profundis and the Chronotope of Post-Prison Time

  David Walton

  159-174

  • pdf

• The Cult of Authenticity: India's Cultural Commissars Worship of "Indianness" instead of Art

  Vikram Chandra

  175-200

  • pdf

• Listening to Vikram Chandra: "All Stories have in Them the Seed of all Other Stories"

  Dora Sales Salvador

  201-213

  • pdf

Book Reviews

• Recent Trends in Narratological Research: Papers From the Narratology Round Table/ESSE 4-September 1997- Debrecen. Hungay / and Other Contributions, by John Pier (Ed.) (Routrs: Groupes de Recherches Anglo-Américaines de l'Université François Rabelais)

  José Ángel García Landa

  215-222

  • pdf

• New Latina Narrative: The Feminine Space of Postmodern Ethnicity, by Ellen McCrackem (Tucson: The Univeristy of Arizona Press, 1999)

  Vicky Gil Carasol

  223-225

  • pdf

• Dorothy Richardson's Art of Memory. Space, Identity, Text, by Elisabeth Bronfen (Manchester and New York: Manchester University Press, 1999)

  María Francisca Llantada Díaz

  227-231

  • pdf