The Multi-Protagonist Film

Authors

  • Beatriz Oria Gómez Universidad de Zaragoza

DOI:

https://doi.org/10.26754/ojs_misc/mj.20119097

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References

Altman, Rick. 1999. Film/Genre. London: British Film Institute.

Bordwell, David. 1989. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, MA: Harvard U.P.

—. 2006. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley, Los Angeles and London: University of California Press.

Neale, Steve. 1995. “Questions of Genre”. In Grant, Barry Keith (ed.) Film Genre Reader II. Austin: University of Texas Press: 159-183.

Paul, William. 2002. “The Impossibility of Romance: Hollywood Comedy, 1978-1999”. In Neale, Steve (ed.) Genre and Contemporary Hollywood. London: British Film Institute: 117-129.

Ryall, Tom. 1998. “Genre and Hollywood”. In Hill, John and Pamela Church Gibson (eds.) The Oxford Guide to Film Studies.

Oxford: Oxford U.P.: 327-341.

Thompson, Kristin. 1999. Storytelling in the New Hollywood. Cambridge, MA, and London: Harvard U.P.

Tröhler, Margrit. 2007. Offene Welten ohne Helden. Plurale Figuren-Konstellationem in Film. Marburg: Schüren Pressverlag.

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Published

2012-03-31

How to Cite

Oria Gómez, B. (2012). The Multi-Protagonist Film. Miscelánea: A Journal of English and American Studies, 44, 145–149. https://doi.org/10.26754/ojs_misc/mj.20119097