Discourses and Identities in Romance Fiction. Anglophone Visions from Madeira and the Canaries, edited by María Isabel González Cruz (Málaga/Wilmington: Vernon Press, 2022)
DOI:
https://doi.org/10.26754/ojs_misc/mj.20249537Abstract
Book review: Discursos e Identidades en la Ficción Romántica. Visiones Anglófonas de Madeira y Canarias / Discourses and Identities in Romance Fiction. Anglophone Visions from Madeira and the Canaries
Downloads
References
Allan, Jonathan. 2019. Men, Masculinities and Popular Romance. London: Routledge.
Arvanitaki, Erini. 2022. Masculinities in Post-Millennial Popular Romance. New York: Routledge.
Arvanitaki, Jarmani. 2015. An Imperialist Love Story: Desert Romances and the War on Terror. New York: New York U. P.
Brooks, Anne. 2022. The Routledge Companion to Romantic Love. London: Routledge.
Crane, Ralph and Lisa Fletcher. 2017. Island Genres, Genre Islands. Conceptualisation and Representation in Popular Fiction. London: Rowman and Littlefield.
Fanetti, Susan (ed.). 2022. New Frontiers in Popular Romance: Essays on the Genre in the 21st Century. Jefferson: McFarland.
Fernández Rodríguez, Carolina. 2021. American Quaker Romances. Building the Myth of the White Christian Nation. Valencia: Publicaciones de la Universidad de Valencia.
Frantz, Sarah G. and Eric Murphy Selinger. (eds.) 2012. New Approaches to Popular Romance Fiction. Jefferson: McFarland.
Golubov, Nattie. 2017. El amor en tiempos neoliberales: apuntes críticos sobre la novela rosa contemporánea. México: Bonilla Artillas Editores.
Jarmakani, Amira. 2015. An Imperialist Love Story: Desert Romances and the War on Terror. New York: New York U. P.
Kamblé, Jayashree. 2023. Creating Identity. The Popular Romance Heroine's Journey to Selfhood and Self-Presentation. Bloomington: Indiana U. P.
Kamblé, Jayashree, Eric Murphy Selinger, and Hsu-Ming Teo (eds.) 2020. The Routledge Research Companion to Popular Romance Fiction. London: Routledge.
McAlister, Jodi. 2020. The Consummate Virgin. Female Virginity Loss and Love in Anglophone Popular Literatures. London: Palgrave McMillan.
Modleski, Tania. (1982) 1990. Loving with a Vengeance: Mass-produced Fantasies for Women. London: Routledge.
Mussell, Kay J. 1984. Fantasy and Reconciliation: Contemporary Formulas of Women’s Romance Fiction. Greenwood Press.
Pérez Fernández, Irene and Pérez-Ríu, Carmen (eds.) 2021. Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction. Bern: Peter Lang.
Pryde, Jessica (ed.) 2022. Black Love Matters. Real Talk on Romance, Being Seen, and Happily Ever Afters. Berkeley: Penguin.
Ramos-García, María T. and Laura Vivanco. 2020. Love, Language, Place, and Identity in Popular Culture: Romancing the Other. Lanham: Lexington Books.
Regis, Pamela. 2003. A Natural History of the Romance Novel. University of Pennsylvania Press
Roac h, Catherine. 2016. Happily Ever After: The Romance Story in Popular Culture. Bloomington:
Indiana U.P.
Teo, Hsu-Ming. 2018. “The Contemporary Anglophone Romance Genre”, Oxford Research Encyclopedia of Literature. <https://doi.org/10.1093/acrefore/9780190201098.013.415>.
Teo, Hsu-Ming. 2012: Desert Passions: Orientalism and Romance Novels. Austin: University of Texas Press.
Vivanco, Laura. 2011. For Love and Money: The Literary Art of the Harlequin Mills & Boon Romance. Penrith: Humanities E-books LLP.
Vivanco, Laura. 2020. Faith, Love, Hope and Popular Romance Fiction. <https://www.vivanco.
me.uk/node/428>.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Paloma Fresno Calleja
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Funding data
-
Ministerio de Ciencia e Innovación
Grant numbers PID2021-122249NB-I00 -
Agencia Estatal de Investigación
-
European Regional Development Fund
Accepted 2024-02-27
Published 2024-06-24
