Making Visible the Invisible: Reversing the Codes of Dominant Culture in Madonna's Videoclip Don't Tell Me
DOI:
https://doi.org/10.26754/ojs_misc/mj.200310216Palabras clave:
Madonna, Videoclip, Identidad, Género, Cultura americanaResumen
En 2001, Madonna sorprendió al público con una nueva imagen, la de la mezcla de música tecno con estética country en el videoclip Don,t Tell Me, de su álbum Music. En muchos de sus clips anteriores, Madonna prestó atención a grupos marginales, llevándolos al centro. Basando mi análisis en las teorías de Laura Mulvey, Richard Dyer y Stuart Hall, entre otros, intentaré demostrar que, en el videoclip Don,t Tell Me, Madonna toma la figura mítica del vaquero como manifestación cultural del grupo dominante y lo relega a la condición de "el otro", al tiempo que propone un mundo de libertad en el que ya no existen jerarquías culturales basadas en cuestiones de género y raza.
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Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
