La predestinación metaficticia en The Driver's Seat, de Muriel Spark

Autores/as

DOI:

https://doi.org/10.26754/ojs_misc/mj.20226852

Palabras clave:

Muriel Sparl, The Driver's Seat, metaficción, predestinación

Resumen

The Driver’s Seat, de Muriel Spark, es un experimento radical de metaficción que plantea las inexorables conexiones entre lo contingente y una trama predeterminada, tan comunes en muchas novelas de Spark. Siguiendo la percepción de Marina MacKay de que la narrativa experimental de Spark opera en un espacio conceptual donde las preocupaciones abstractas de la teología católica se solapan con los desarrollos metaficticios y fabulistas del posmodernismo, este ensayo plantea cómo la noción de predestinación resuena en The Driver’s Seat, no sólo como retazo de la educación presbiteriana de Spark, sino también como una revisión posmoderna de la tragedia clásica en clave de metaficción. La preferencia de Spark por tramas predeterminadas se hace eco del amplio debate filosófico y teológico multisecular acerca del libre albedrío y la predestinación, particularmente intenso en los tiempos de la Reforma Protestante, si bien el concepto de predestinación también es un ingrediente necesario de la tragedia clásica. En The Driver’s Seat, Spark recurre deliberadamente a ciertas convenciones de la tragedia aristotélica, aunque las aborda mediante la subversión experimental que en último término recurre a la comedia y al ridículo, sin duda las armas de Spark para la única forma posible de arte. Mantenemos que las implicaciones metaficticias de las prolepsis de The Driver’s Seat socavan la certeza calvinista respecto a la salvación o condenación predestinadas. Al utilizar un narrador parcial que solo puede generar relatos limitados, Spark podría estar jugando con cierta apertura interpretativa, experimental y esencialmente posmoderna, en consonancia con la incertidumbre acerca de la salvación eterna de cada individuo comúnmente aceptada por el pensamiento católico.

Descargas

Los datos de descargas todavía no están disponibles.

Citas

Addai-Mensah, Peter. 2020. “A Discussion on Augustine’s Notion of Predestination and its Later Interpretation in Salvation History”. Journal of Philosophy, Culture and Religion 3: 21-27. DOI: https://doi.org/10.47604/jpcr.1109

Aquinas, Thomas. 2007. Summa Theologica. Volume I – Part I. Trans. Fathers of the English Dominican Province. New York: Cosimo Classics.

Asante, Emmanuel. 2014. Soteriology: A Discourse on Salvation. Accra: Pinpoint Media.

Bailey, James. 2021. Muriel Spark’s Early Fiction: Literary Subversion and Experiments with Form. Edinburgh: Edinburgh U.P.

Bradbury, Malcolm. 1973. Possibilities: Essays on the State of the Novel. London: Oxford U.P.

Brooker, James and Margarita Estévez-Saá. 2004. “Interview with Dame Muriel Spark”. Women’s Studies. An Interdisciplinary Journal 33 (8): 1035-1046.

Brumley, Mark. 2020. “Did Hans Urs von Balthasar Teach that Everyone Will Certainly Be Saved?” The Catholic World Report (March 27). <https://www.catholicworldreport.com/2020/03/27/did-hans-urs-von-balthasar-teach-that-everyone-will-certainly-be-saved>. Accessed 20 November, 2021.

Calvin, Jean. 1960. Institutes of Christian Religion. Ed. John T. McNeil. Louisville, KY: Westminster John Knox Press.

Carruthers, Gerard. 2010. “Muriel Spark as Catholic Novelist”. In Gardiner, Michael and Willy Maley (eds.) The Edinburgh Companion to Muriel Spark. Edinburgh: Edinburgh U.P.: 74-84.

Caruth, Cathy. 1996. Unclaimed Experience. Trauma, Narrative and History. Baltimore and London: The Johns Hopkins U.P.

Cheyette, Bryan. 2000. Muriel Spark. Devon: Northcote House.

Drabble, Margaret. 2018. “Snapshots on Muriel Spark”. Times Literary Supplement (June 29). <https://www.the-tls.co.uk/articles/muriel-spark-margaret-drabble>. Accessed 20 November, 2021.

Estévez-Saá, Margarita. 2007. “Caracterización e identidad femenina en la obra de Muriel Spark”. Garoza: Revista de la Sociedad Española de Estudios Literarios de Cultura Popular 7: 99-110.

Fergusson, David A. S. 1993. “Predestination: A Scottish Perspective”. Scottish Journal of Theology 46: 457-478.

Frankel, Sara. 1987. “An Interview with Muriel Spark”. Partisan Review 54 (3): 443-457.

Gadamer, Hans-Georg. 1995. Truth and Method. Trans. J. Weinsheimer and D.G. Marshall. New York: Continuum.

Grosse, Sven. 2011. “Salvation and the Certitude of Faith: Luther on Assurance”. Pro Ecclesia: A Journal of Catholic and Evangelical Theology 20 (1): 64-85. DOI: https://doi.org/10.1177/106385121102000104

Guy, Adam. 2019. The Nouveau Roman and Writing in Britain after Modernism. Oxford: Oxford U.P.

Haddox, Thomas F. 2009. “Religion for ‘Really Intelligent People’: The Rhetoric of Muriel Spark’s Reality and Dreams”. Religion and Literature 41: 43-66.

Hosmer, Robert E., Jr. 2005. “An Interview with Dame Muriel Spark”. Salmagundi 145/147: 127-158.

Hosmer, Robert E., Jr. 2017. “The Chandeliers of the Metropole: A Vivid Glow upon the Just and the Unjust in Muriel Spark’s The Driver’s Seat”. Scottish Literary Review 9: 83-93.

Hynes, Joseph. 1993. “Muriel Spark and the Oxymoronic Vision”. In Hosmer, Robert E. Jr. (ed.) Contemporary British Women Writers. New York: Palgrave Macmillan: 161-187.

Kermode, Frank. 1963. “The House of Fiction: Interviews with Seven English Novelists”. Partisan Review 30: 61-82.

Kermode, Frank. 1970. “Sheerer Spark”. Listener (24 September): 426. Print?

Kermode, Frank. (1965) 1992. “The Novel as Jerusalem: Muriel Spark’s Mandelbaum Gate”. In Hynes, Joseph (ed.) Critical Essays on Muriel Spark. New York: G.K. Hall: 179-186.

Kolocotroni, Vassiliki. 2018. “The Driver’s Seat: Undoing Character, Becoming Legend”. Textual Practice 32 (9): 1545-1562. DOI: https://doi.org/10.1080/0950236X.2018.1533180

Lee, Susana. 2006. A World Abandoned by God: Narrative and Secularism. Lewisburg: Bucknell U.P.

Loddegaard, Anne. 2008. “The Silence of God in the Modern Catholic Novel: Graham Greene and French Catholic Novelists Adopting a Pascalian Deux Absconditus Perspective on Faith, Truth, and Reason”. Forum on Public Policy: 1-10.

Lodge, David. 1992. The Art of Fiction. Harmondsworth: Penguin.

MacKay, Marina. 2008. “Muriel Spark and the Meaning of Treason”. Modern Fiction Studies 54 (3): 505-522. DOI: https://doi.org/10.1353/mfs.0.1540

Man, Sorana-Cristina. 2020. Instances of Death in Greek Tragedy. Newcastle-Upon-Tyne: Cambridge Scholars Publishing.

Massie, Allan. 1987. “Spark of Inspiration”. The Times (August 1): 18. Print?

McQuillan, Martin. (ed.) 2002. Theorizing Muriel Spark. Gender, Race and Deconstruction. London: Palgrave Macmillan.

Meyers, Helen. 2001. Femicidal Fears: Narratives of the Female Gothic Experience. Albany, NY: State University of New York Press.

Nye, Robert. 1970. “Another Suicide”. The Observer (September 24): 14. Print?

Page, Norman. 1990. Muriel Spark. London: Macmillan.

Paparoni, Ginevra. 2016. “Nature and Predestination in William Faulkner’s ‘Dry September’”. Annali di Ca’ Foscari. Serie Occidentale 50: 419-432. DOI: https://doi.org/10.14277/2499-1562/AnnOc-50-16-22

Potter, Martin. 2008. “Reconciling the Divided Self in Muriel Spark’s The Mandelbaum Gate”. University of Bucharest Review 10 (1): 39-45.

Query, Patrick. 2005. “Catholicism and Form from Hopkins to Waugh”. In Villar Flor, Carlos and Robert M. Davis (eds.) World Without End: New Trends in Evelyn Waugh Studies. Bern: Peter Lang: 37-44.

Rambo, Shelly. 2010. Spirit and Trauma: A Theology of Remaining. Louisville, KY: Westminster John Knox Press.

Rankin, Ian. 1985. “Surface and Structure: Reading Muriel Spark’s The Driver’s Seat”. The Journal of Narrative Technique 15 (2): 146-155.

Roof, Judith. 2002. “The Future Perfect’s Perfect Future: Spark’s and Duras’s Narrative Drive”. In McQuillan, Martin (ed.): 49-66.

Sage, Lorna. 1992. Women in the House of Fiction. London: Macmillan.

Sawada, Chikako. 2007. “Muriel Spark’s The Finishing School and Postmodern Endings”. Studies in English Literature 48: 1-20.

Sinclair, Peter M. 2010. “Narrative and Eschatology: Graham Greene, Evelyn Waugh, Muriel Spark and Theology of Narrative”. PhD Dissertation. University of Connecticut.

Spark, Muriel. 1961. “My Conversion”. Twentieth Century 170: 58-63.

Spark, Muriel. 1970. The Driver’s Seat. New York: Alfred A. Knopf.

Spark, Muriel. 1971. “The Desegregation of Art”. In Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters (The Annual Blashfield Foundation Address). New York: Spiral Press: 21-27.

Spark, Muriel. 1992. Curriculum Vitae: A Volume of Autobiography. Manchester: Carcanet Press.

Spark, Muriel. (1961) 2009. The Prime of Miss Jean Brodie. New York: Harper Perennial Modern Classics.

Stannard, Martin. 2009. Muriel Spark: The Biography. London: Orion Books.

Waugh, Patricia. 1984. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Methuen.

Waugh, Patricia. 2018. “Muriel Spark’s ‘Informed Air’: The Auditory Imagination and the Voices of Fiction”. Textual Practice 32 (9): 1633-1658. DOI: https://doi.org/10.1080/0950236X.2018.1533171

Whittaker, Ruth. 1982. The Faith and Fiction of Muriel Spark. London: Macmillan.

Descargas

Publicado

2022-06-13

Cómo citar

Villar Flor, C., & Altemir Giral, A. (2022). La predestinación metaficticia en The Driver’s Seat, de Muriel Spark. Miscelánea: A Journal of English and American Studies, 65, 191–208. https://doi.org/10.26754/ojs_misc/mj.20226852

Número

Sección

Literatura, cine y cultura