Dinámicas y comportamientos en el uso de tipos excepcionales de anverso en la ceca de Caesar Augusta
DOI:
https://doi.org/10.26754/ojs_salduie/sald.201918-196717Keywords:
Numismática, Iconografía, Propaganda, Retrato imperial, Caesar Augusta, Época Julio-ClaudiaAbstract
El artículo pretende concretar los contextos históricos y perfilar las dinámicas y las posibles razones que llevaron a la ceca de Caesar Augusta a renunciar a incluir el retrato del emperador reinante, como imagen característica del anverso en determinadas series, en favor de otro tipo de composiciones iconográficas, bien de creación local o asumidas de la moneda estatal.
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