Narration, acting or poetry: female hybrid vs. canon

Abstract

What are the traits that define female literary production? Is it possible to change the canon of literature by inserting female production with its characteristics without incurring transgressions? Can the canon be opened to new forms of literature? In attempting to ask ourselves these questions, we define the state of the current question on the concept of canon and draw up proposals for subversion of the canon in terms of fusion of genres, analyzing a concrete case of female literary-theatrical production —quite isolated too, and even more if declined in the feminine— in the context of slam-poetry.