Goethe's literary theory
DOI:
https://doi.org/10.26754/ojs_tropelias/tropelias.19999-105701Keywords:
Johann Wolfgang von Goethe, literary theoryAbstract
Although Goethe never meant to articulate a general theoretical system of a poetic project, his own literary production and his critical reflections on literature render his own critical thought on literary aesthetics among the most innovative. There is neither a study nor an anthology of his literary theory in the context or the connection between his poetic and speculative practice that was so emblematic or his time. His privileged position on the crossroads between objectivity and subjectivity that is the sign of the novelty of his response to the debate on the relationship between art and reality, as well as the role of literature in the modern period. His contributions to the theory or the symbol of genology have been crucial up until to the mid twentieth century, whereas the concept of Weltliteratur, the most succesful in his literary criticism and the one that allowed him to advocate reconciliation in a Europe torn by lhe Napoleon wars, constitutes a fruitful legacy to contemporary trends in comparative literary studies.
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Copyright (c) 2021 Mercedes Comellas, Helmut Fricke
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