Bonding with the location: house, time and nature. Conversation with Alberto Campo Baeza
DOI:
https://doi.org/10.26754/ojs_zarch/zarch.2021176126Keywords:
nature, house, time, inhabit, Alberto Campo BaezaAbstract
We suggest creating a journey—both geographical and historical—put together using five of houses of Alberto Campo Baeza. The story begins in Cadiz, with the Gaspar and Guerrero houses, enters the Sierra de Madrid mountain range, in the Blas house, then crosses the Atlantic to reach the Olnick Spanu house in New York and, from there, arrives at the coast of Cadiz in the House of the Infinite. Using these five houses, we propose a dialogue that is woven around three key points: nature, the man that moves to this nature and the time when it becomes habitation.
The result of this journey will be an architecture that returns to origins and not simple originality. Architecture with the vocation to endure over time, that time which T. S Eliot sings in his Four Quartets: “Time present and time past/ Are both perhaps present in time future/ And time future contained in time past/ If all time is eternally present/ All time is unredeemable”.