American Pioneer Women Architect Lois Langhorst. Exhibition of Abstract Watercolors at Biosca Galleries at Madrid (1955)
DOI:
https://doi.org/10.26754/ojs_zarch/zarch.2022186192Keywords:
Woman Architect, Abstract Expresionism, Spanish Architecture, United States of America, Franco’s RegimeAbstract
In June 1955, several reviews were published in Madrid in magazines and newspapers about an exhibition of watercolors at the Biosca galleries. The author has an unknown name: Lois Langhorst; and the watercolor presented a marked and innovative abstract character. Among the names of the artists who exhibited in this gallery they hardly appear foreigners. The story behind this exhibition takes us to the construction of the American bases in Spain and from there to the trajectory of one of the pioneering American woman architects in the profession. This article aims to clarify the unknowns that this exhibition presents, delving into the complexity of being a female architect at the time. It seeks to expose Lois Langhorst's stay in Spain and the contacts that she and her husband, Frederick Langhorst, had with Spanish society in mid-century Madrid.
Downloads
References
Archivo Familiar Langhorst.
Bilbao, Luis, “El pensamiento norteamericano en Bilbao (1948-1968). Una vía hacia la modernidad española,” ARBOR Ciencia, Pensamiento y Cultura (Septiembre-Octubre 2016): 192-781.
Bilbao, Luis, “Modernidad norteamericana en el arte y el franquismo,” Tribuna abierta. Deia, Lunes, Marzo 28, 2016.
Calvo Roy, Juan, “Los 40 años de la Galería Biosca,” Arte Guía 56-57, 1980.
Camón Aznar, José María. “Arte,” ABC, Domingo, Junio 12, 1955: 61.
Frankestein, Alfred, “This world,” San Francisco Chronicle, June 15, 1958.
Gómez Moya, Josefa, “Las galerías de arte en Madrid: 1940: 1957.” Tesis Doctoral, Universidad Complutense de Madrid, 1991.
Guido, Luca, Stephanie Pilat y Angela Person, ed. Renegades: Bruce Goff and the American School of Architecture. Oklahoma, University of Oklahoma Press, 2020.
Hernando González, Amaya, “Un nuevo concepto de coleccionismo en España: el entorno sociológico-cultural de las galerías de arte (Biosca, Edurne y Modró) y de los artistas-coleccionistas: el grupo de Cuenca.” Tesis Doctoral. Universidad San Pablo CEU, 2016.
Hess, Alan, Forgotten Modern: California Houses, 1940-1970.Utah: Gibbs Smith, 2007.
Horton, Inge Schaefer. Early Women Architects of the San Francisco Bay Area: The Lives and Workl of Fifty Professionals. 1890-1951. Carolina del Norte: McFarland & Company, 2010.
Langhorst, Frederick, “Método de la organización y contratación seguido por los Estados Unidos en las obras de Europa.” Informes de la Construcción 55 (1953): 710-711.
Langhorst, Frederick, “Tres obras de F. Langhorst.” Informes de la Construcción 64 (1954): 61-037.
Langhorst, Lois Wilson, “Home - Physical Form or Emotion,” The Anchora of Delta Gamma, January VLXII, nº 2 (1946): 3-5.
Salazar Lozano, María del Pilar y Antonio José Cidoncha Pérez, “Living in a metal shed. Quonset Huts on Naval Station Rota.” VLC 8, nº 2 (2021): 91-116. https://doi.org/10.4995/vlc.2021.13423
Serraino, Pierluigi. NorCalMod: Icons of Northern California Modernist Architecture. San Francisco: Chronicle Books, 2006.
Temko, Allan, “Architect Frederick L. Langhorst, A.I.A.” San Francisco Chronicle, 1961, Fecha exacta desconocida, recorte recogido en el Archivo Langhorst..
Tippey, Brett, “Richard Neutra in Spain: Consumerism, Competition, and U.S. Air Force Housing.” Journal of the Society of Architectural Historians 80, nº 1 (2021): 48–67. https://doi.org/10.1525/jsah.2021.80.1.48
Trabazo, Luis, “La nueva pintura norteamericana.” Índice de Artes y Letras, 115 (1958): 20.
Weinstein, Dave “Cultured couples of California’s mid-century who doubled down as partners in love and lifework, “ acceso Noviembre 10, 2021, https://www.eichlernetwork.com/article/it-takes-two?page=0,1